Late May, summer vacation, Memorial Day. a time to embrace the inner WW2 past life veteran. Where were you when you fell? If you had a past life in North Africa, running raids against Rommel's fuel dumps, and maybe died under the treads of Rommel's esteemed Afrika Corps, you will love Netflix streaming for desert warfare is amply represented.
Desert warfare has long captivated the cinematic imagination - a harsh, unforgiving playing field, where strategy is everything and both sides can get lost just trying to find the front. There are ample opportunities for stealth and skullduggery as front lines are hundreds of miles across. It's where scrappy outlaws and cunning commandos undertake missions where they wear any country's uniform but their own.
PLAY DIRTY (1969) goes for the existential vibe where that's concerned: tire repair, hauling trucks up a mountain, weathering a sandstorm, and other SORCERER waiting for Godot-style existential tomfoolery. Michael Caine is the by-the-book officer, Nigel Davenport the hardened cynic, Nigel Green the dissolute, cynical and well-worn Colonel who plans the mission (another fuel dump, by Jove!) Together they shoot unarmed Red Cross workers, (nearly) rape a German nurse, kill innocent bystanders and otherwise commit egregious deeds in the name of the mission. And they listen to lots of blaring music on the jeep radio. The acting is all good but the existential vibe a bit souring. Part of my yen for war movies is that they provide a rare chance for male camaraderie in the service of a genuinely good cause and PLAY DIRTY denies that fantasy, trying to shoehorn post-1969 bitterness into pre-1945 history.
When I see a war movie I want more than the begrudging respect of a few salts and an innocent German nurse nearly raped and then stabbed for no discernible reason. I want more than WAGES OF FEAR-style men in trucks minutiae. Hitler and Japan were the be-all and end all of ruthless evil. We can try to fathom the depths of soullessness we are all capable of, but even the cynical air of the late 1960's-early 70's Vietnam era which infuses both these films can't argue with that level of horror. Why bother souring us on the last chance we ever had to be truly the good guys? There's a time and place where we actually won the war, and no amount of Vietnam disillusion should cloud that up. Only on the Military channel.