Acidemic - Film
Showing posts with label Film Noir. Show all posts
Showing posts with label Film Noir. Show all posts
Thursday, May 16, 2019

The Long Arm of Coincidence: SCARED TO DEATH (1947)

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Bela Lugosi's only color film, and maybe the only horror film period  from 1947, surreal poverty row quickie SCARED TO DEATH makes ...
Tuesday, January 17, 2012

Kiss Me Del Rey

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LtoR: Lana Del Rey, Gaby Rogers, Candace Hilligoss Lana Del Rey's panned performance on SNL this past weekend wasn't all her fau...
3 comments:
Wednesday, September 07, 2011

The War Against Normal: A STRAW DOGS remake and LEAVE HER TO HEAVEN

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I just saw there's a remake of Sam Peckinpah's great misunderstood masterpiece STRAW DOGS. Take a look at this poster: First o...
3 comments:
Monday, March 07, 2011

Somnolente Noir: THE GLASS KEY (1942)

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Alan Ladd is "tired of hick town stuff" in a weird tale of brotherly love and deceit called THE GLASS KEY (1942). The "...
4 comments:
Wednesday, February 02, 2011

Degenerate Drums of the Leopard Woman: PHANTOM LADY (1944)

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One of the coolest frisson effects in film noir is the sense of collapsing time, the melting clock warp as an incriminating love l...
1 comment:
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Erich Kuersten
Brooklyn, New York, United States
Micro-dosing pioneer and cinematic counter-theorist, Crypto-Jungian editor of The Acidemic Journal of Film and Media, with work appearing in: Bright Lights Film Journal, Popmatters, Slashfood, McSweeney's, Slant, and the Daily Om. Also (in print): The Decadent Handbook, Scarlet Street, and Midnight Marquee. Films include the awards-skipping Queen of Disks, The Lacan Hour, Drunkards of Borneo, and the "Shortcuts to Enlightenment" series - Come on and write to him! Erichk9@aol.com and/or ekuerste@pratt.edu
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