Acidemic - Film
Showing posts with label Miriam Hopkins. Show all posts
Showing posts with label Miriam Hopkins. Show all posts
Thursday, August 04, 2016

Fay Wray is the Devil: THE RICHEST GIRL IN THE WORLD

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Aug. 5 - Fay Wray day on TCM, a great day to be a man, standing in front of a TV, looking at the most gorgeous of all legs, struggling to...
Saturday, May 18, 2013

Early Hawks: THE CRIMINAL CODE, TIGER SHARK, CEILING ZERO, BARBARY COAST, ROAD TO GLORY

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Much as I love Orson Welles, I've never quite forgiven him for the  Cahiers du Cinema interview when he was asked to name the three g...
Wednesday, November 16, 2011

Pre-Code Capsules 9: BEHIND THE MASK, DR. X, TROUBLE IN PARADISE, BLESSED EVENT, THE BLUE ANGEL

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BEHIND THE MASK (1932) Dir. Francis Dillon *** The great forgotten Jack Holt (Tim's dad) plays a terrible federal agent in this p...
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Friday, January 23, 2009

The First David Lynch Movie? The Story of Temple Drake (1933)

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Faulkner's dank laudanum-spiked mint julep writing style suffuses the rare 1933 pre-code STORY OF TEMPLE DRAKE with Southern Gothic a...
5 comments:
Monday, March 10, 2008

In Praise of DESIGN FOR LIVING

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If you're a true classic movie lover, there's been two essential DVD buys in the last few months: The Criterion Eclipse series ...
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Erich Kuersten
Brooklyn, New York, United States
Micro-dosing pioneer and cinematic counter-theorist, Crypto-Jungian editor of The Acidemic Journal of Film and Media, with work appearing in: Bright Lights Film Journal, Popmatters, Slashfood, McSweeney's, Slant, and the Daily Om. Also (in print): The Decadent Handbook, Scarlet Street, and Midnight Marquee. Films include the awards-skipping Queen of Disks, The Lacan Hour, Drunkards of Borneo, and the "Shortcuts to Enlightenment" series - Come on and write to him! Erichk9@aol.com and/or ekuerste@pratt.edu
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