Ten Reasons GHOSTS OF MARS!

POST - SCRIPT 11/26/16 - Just saw this again, and all the stuff I wrote before about Brechtian this or that, forget it... this movie rocks pure and simple. Time has been very kind to it. I guess it's all about expectations, and --especially with old JC--nice buzzes. 
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Just saw this again for the tenth time and have to chime back in how much I love John Carpenter's GHOSTS OF MARS, even if it puts me on the outs with just about everybody... except Temple of Schlock. Look, it's a freakin' Hawksian semi-satirical amalgam of ASSUALT ON PRECINCT 13 and Nigel Kneale's QUATERMASS AND THE PIT!

No one got BIG TROUBLE IN LITTLE CHINA either when if first came out. It's Brechtian! I have a Carpenter-autographed movie poster for it.

1. Natasha Henstridge - Melanie Ballard. If Snake Plissken were a cop - Henstridge would still be more cooler. Somehow she's nurturing and nihilistic at the same time. The only way anyone can be this good is to not even be aware of what they're doing... she's a schlock savant. (See: Death Driving Miss Henstridge: Deproductive Freedom and The Ghosts of Mars)

2. Matriarchal Lesbians Rule the Planet - The whole planet is basically gay with a few exceptions, such as Statham and Henstridge, creating an inverse of the sexual politics on Earth -- a great touch that's not even really fully explored, as Carpenter just doesn't have time. But I love it's there.

3. Ice Cube - He's really giving it his full attention here, with a great array of "game faces"- he looks like a little kid playing war AND he busts out his crackly soft vulnerable voice several times - "my brother and I been in a lot of battles." He's in the zone.

4. Jason Statham - I used to not be that into him and his Saxon bullet head, but TRANSPORTER 3 changed everything (see my praise of that movie on Bright Lights My Brian thinks Bomb-Like"). Now I love him. And anyway, how many guys would be cool enough to think of using psychedelics to "exorcise" invading Martian demons spirits? "This will fuck with anything that's in there." I cheer with glee every time.

5. A badass black train (pictured at left): it's a sci fi western TRAIN movie!

6. Red and black color scheme, Impact fonts, red rocks and black or red skies -- it feels like I created this movie in my dreams!

7. Hilarious stunts - The kind where every explosion is just an excuse for stuntmen to go flying through the air, waving their limbs and going "Yaaargh!"

8. Joanna Cassidy - the legendary Zora from BLADE RUNNER. "you think I'd be dancing in a place like this if I could afford a real snake?" (see my BL piece "What's yr Edition #?")

9. The Monsters themselves - a mix of "psych ward" neo-pagan hippie meth heads at a Grateful Dead show and the Kiss Army crossed with Humongous' posse in THE ROAD WARRIOR (Aka MAD MAX 2). Not scary or terribly original, but hilarious. Especailly Big Daddy Mars, a mix of Gene Simmons in full KISS regalia, Chaka, Marilyn Manson, and the Crow!

10. Balloon escape flashback!

I could go on and on, I didn't even mention the great thumb cut off scene, for example; instead, some of my favorite lines from the film and their accented words if relevant:

"This is a discovery hearing!" (head of the Mars Matriarchy to Melanie)

"I've got a mystical way with locks and mechanical objects." (Statham to Melanie)

"Maybe I'd sleep you with you if you were the last man on Earth, but we're not on Earth." (Melanie to Statham)

"I can't let you take the rookie." (Melanie to Desolation)

"I don't understand you at all, Desolation." (Melanie to Ice Cube)

"You think there's a difference between you and me? You just got the woman behind your bullshit. Look at you... You look high right now." (Cube to Melanie)

"That's a laffer: uses a fifty percent nitrous mix" (Statham, explaining - since its Mars people use breathers) 

"Yo, lady, we don't see no train."

"I swear to you, Williams, as soon as I get back I'm gonna tell them all about this fucked up planet." (Melanie to Cube)

"See you later, you big motherfucker!" (Cube to Big Daddy Mars, before blowing him up)

I didn't even mention Pam Grier as the lesbian police squad captain, or the awesome 1980s metal soundtrack (Carpenter jamming with members of Anthrax,) though I wish he'd gone more old school synth. But hey, a great sci-fi action horror comedy adventure film that's pro-drugs and rife with Hawksian by-play and existential 'so shoot me' ambivalence doesn't come along often. To get in the mood, you can also check out my 2004 article "Death Driving Miss Henstridge: Deproductive Freedom and The Ghosts of Mars" on the main Acidemic site.

And don't worry, this is a discovery hearing!