For maximized post-modernist refraction, I'd recommend seeing it on your laptop on the couch, with the TV on pause or slow-motion behind it (on any random channel --as long as it's 'desperately' random). Because when a show is this meta, it just needs one tiny push to make it off the screen and across your living room, like a loping North Korean water ghost, through your ocular cavity and into your brain, your life, your soul, our collective oversoul, and then beyond what's beyond our collective oversoul, and back around to the screen/s in perpetual shrinking /expanding Ourobros double dips forever and ever in echo rerun, on perpetually cheapening channels, so help me, God, our legal team Hunginunga, Hunginunga, Hunginungah and McCormack, and of course the holy trinity: Aaron Spelling, Norman Lear, and Steven Bochco. Sing Amen. We're home. Less.
Showing posts with label metatext. Show all posts
Showing posts with label metatext. Show all posts
Thursday, November 06, 2014
Meta Murderous Surreal Post-Modernism in Under Twelve Minutes: TOO MANY COOKS (Infomercial)
For maximized post-modernist refraction, I'd recommend seeing it on your laptop on the couch, with the TV on pause or slow-motion behind it (on any random channel --as long as it's 'desperately' random). Because when a show is this meta, it just needs one tiny push to make it off the screen and across your living room, like a loping North Korean water ghost, through your ocular cavity and into your brain, your life, your soul, our collective oversoul, and then beyond what's beyond our collective oversoul, and back around to the screen/s in perpetual shrinking /expanding Ourobros double dips forever and ever in echo rerun, on perpetually cheapening channels, so help me, God, our legal team Hunginunga, Hunginunga, Hunginungah and McCormack, and of course the holy trinity: Aaron Spelling, Norman Lear, and Steven Bochco. Sing Amen. We're home. Less.
Thursday, May 15, 2008
Sunday, May 04, 2008
Drunkards of Borneo (1931/2008)
Ladies and gentleman! May I present my uber-gonzo/metatextual commentary on Cornell's ROSE HOBART (1936) and EAST OF BORNEO (1931) and cinema, and love, and the bible? It's not very long, and it's called DRUNKARDS OF BORNEO!
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